The manuscripts for book 2 and book 3 of The Anima Trilogy are back from The Editor, which means we are one critical step closer to publishing! Over the next couple months, I will be finalizing edits, formatting, and perfecting covers. I am so excited to continue this story and can’t wait to let you guys know more details about release dates! Stay tuned for more updates!
Sometimes, I have scenes spontaneously appear in my mind that replay consistently throughout the day. I don’t know the characters, I don’t know the story, but a distinct bit of dialogue, a feeling, a circumstance. Now, I’ve written here on my blog before that I don’t believe writing has any magical aspect to it–I still don’t. So, these scenes must sprout from my subconscious.
The thing is, I like making up theoretical situations and having characters act on opposing sides, then seeing where the conversation goes. What can motivate those opinions? What sort of justifications can those characters make up to support their actions?
But I’m not talking about these moments of writing–or rather of thinking. I’m talking about these scenes that spontaneously pop into my head, those which I haven’t purposefully pursued.
Human nature has always fascinated me. In high school, I took all the psychology classes that were offered, and eventually double majored in it with creative writing at university.
Why does anyone do anything? As a writer, that’s a critical question, since a character has to be motivated, even if it’s a basic desire, such as hunger. I guess my curiosity branched from myself, then outward.
But still, these scenes that come unprovoked. Are these questions that I’m too afraid to approach head-on? The goal to these isn’t to find an answer, but to explore motivation. So then, are these the unjustifiable motivations that irk me?
I don’t know. All I know is that these unprompted scenes are the ones that tend to stick with me and demand to be written, and I listen.
What about other writers out there? Have you ever had a similar experience with scenes coming unbidden?
How do you handle the demand for the sequel to your first novel?
This is something that I’ve been dealing with for the past couple months since Premonition released in early March. The day after the book came out, I had someone ask me, “Where’s book two?” It sent a shock down my whole body. “Are you kidding me?” was what I thought, but didn’t say. Do you know how much time and effort and energy and life’s blood I put into this first one? Do you know how many years it’s taken me to get the first one out? Do you know how much money I’ve spent? Eventually, my brain started working and I laughed and said, “Soon!” (Because slapping people isn’t really socially acceptable.)
It isn’t that I’m ungrateful to the people who enjoyed the first book. It isn’t that I’m conceited or arrogant. Let me explain . . .
When I tell people I’m a writer, there’s typically only two kinds of reactions. The first one is, “Yeah, but what’s your REAL job?” And the second one is, “Who’s your publisher? Your agent?” (Another common one is, “Oh, give me a copy of your book!”) It’s either people take being a writer too lightly or they take the accomplishments I have made too lightly because I’m not going about it in the “traditional” way. Let me tell you something that may blow your mind:
Writing is not easy.
Let me add to that:
Especially when you self-publish.
But regardless of whether you have a publisher/agent or not, writing is not easy. It isn’t. Writing is time consuming, delicate and intricate work. It takes thoughtful planning and editing, sometimes complete rewrites. Writing is not just a hobby or something you like to do. It’s a passion–a need. And because it’s beloved, you want it to be the best that it can be. So, you struggle to tame every chapter, scene, paragraph, and line just to your liking, to your characters’ needs, to your own wants. You break hearts, but mostly, you break your own.
Now, I know this sounds dramatic, and I am being a *little* hyperbolic, but also, I’m not. The saying, “Anyone can write,” is true enough. But not every writer can make their reader root for their main character, cry with them, laugh with them, feel defeated when they fail or accomplishment when they succeed. It takes a wordsmith and a plotter. It takes psychological acuity. And that, my friends, takes damn hard work.
So, the next book is coming, yes, but be kind to me! It’s like that iceberg meme. There’s a lot of work under the surface that the reader never sees the writer do. It’s like magic that way. The writer is the magician, showing the crowd her latest trick that’s taken months–maybe years–to master. You show the crowd, and they are impressed with it, but then you have that one kid in the front who says, “Another! Another!” And you, the magician, want nothing more than to please the crowd with another trick, but you don’t have one because you spent all your time mastering the first one. You have to say, “Kid, this is all I’ve got.”
Maybe our fast culture and shrunken attention span is to blame for people wanting more all the time and never being satisfied, but for me, I want to create quality work that I’m proud of, so I won’t be pressured to release something that is half-baked. Not just for my own sake, but for my readers’ sake, too. I want you to read a good story, so please, let me create one for you. With time.
Any other writers out there dealing with the pressure of releasing a sequel? How do you handle it?
I was recently interviewed, along with 11 other authors, and answered questions about my writing process and writing in general! Go on and check it out!